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Andante (Sor study)

MasterFernando Sor (d. 1839, public domain)

Strumming: Fingerstyle: right-hand p-i-m-a arpeggios, melody on top

Focus: Classical right-hand p-i-m-a arpeggios, a connected top-voice melody, C-major positions

Transpose · Capo

C
Original C
Pick a target key
Match your voice

The original key is inferred from the first chord in the chart. Transposing changes the chords you have to play; to keep easy shapes, switch to “Capo” instead.

💡 Too high to sing? Move down. Too low? Move up. Guys often go a few keys below the original, women a bit above — that's just a starting point. You've got it right when you can sing the highest line of the chorus comfortably.

Chords in this song

✦ = harder to play (mostly barre); try a capo
✕321
321
✕231
✕✕231
231
1342
213

Chord progression

Section A (C major)
CG7CG7
Section A
CF✦CG7
Section B
AmEAmDm
Closing
CG7CC

Play-along

Chords change automatically to the beat (following the current key C). Get it smooth slowly, then speed up.

Tap “Start” to play along with the beat
CG7CG7CFCG7AmEAmDmCG7CC
Speed80 BPM
Time

One bar of count-in first, then the chord changes automatically each bar. Get it smooth slowly, then speed up bit by bit.

Practice ladder · from playing it to playing it well

Not sure how to practice? Follow these four steps — each has a clear goal and a concrete method.

  1. 1

    Get the chords ringing

    Goal: every chord clear, no buzzing

    Get this song's 7 chords ringing one by one and switchable (C · G7 · Am · Dm · E · F · G). Press each alone first, then switch in pairs; for any that won't ring, scroll to “Don't know these chords?” below, or use the chord-change timer for a one-minute challenge.

  2. 2

    Play it through in time

    Goal: no stalls with the metronome, start to finish

    Using the “Fingerstyle: right-hand p-i-m-a arpeggios, melody on top” strum, open the metronome and connect the whole song from a slow tempo, no pausing on the changes.

  3. 3

    Play it with feel

    Goal: dynamics and a sense of breath

    Classical right-hand p-i-m-a arpeggios, a connected top-voice melody, C-major positions。

  4. 4

    Own it & make it yours

    Goal: explain why it works and change up your own version

    Try analyzing its chord progression, then use the Transpose / Capo control above to change keys, and try reworking the rhythm, adding color chords or improvising — turn “I can play this one” into “I can play many.”

Practice this in the courses

A course uses this very song as a practice piece — follow it step by step, faster than fumbling on your own:

Studies, Scales & a Ladder of Famous Pieces“Reading” a Public-Domain Miniature Through

Don't know these chords? Learn them in the courses

Fernando Sor (1778–1839) is a founding figure of the classical guitar; more than 180 years after his death, his works are in the public domain. Given here is the harmonic skeleton of a beginner study in his style — the actual piece puts the melody in the top voice supported by p-i-m-a arpeggios, a standard introduction to the classical right hand.

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