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Songs/民谣

Scarborough Fair

AdvancedEnglish traditional folk (public domain)

Strumming: 3/4 time: fingerpicking

Focus: Dorian modal color + 3/4 fingerpicking

Transpose · Capo

E
Original E
Pick a target key
Match your voice

The original key is inferred from the first chord in the chart. Transposing changes the chords you have to play; to keep easy shapes, switch to “Capo” instead.

💡 Too high to sing? Move down. Too low? Move up. Guys often go a few keys below the original, women a bit above — that's just a starting point. You've got it right when you can sing the highest line of the chorus comfortably.

Chords in this song

✦ = harder to play (mostly barre); try a capo
23
213
123
132

Chord progression

Main line
EmAEmEm
Development
EmGAEm
Descent
GAEmDEm

Play-along

Chords change automatically to the beat (following the current key E). Get it smooth slowly, then speed up.

Tap “Start” to play along with the beat
EmAEmEmEmGAEmGAEmDEm
Speed80 BPM
Time

One bar of count-in first, then the chord changes automatically each bar. Get it smooth slowly, then speed up bit by bit.

Practice ladder · from playing it to playing it well

Not sure how to practice? Follow these four steps — each has a clear goal and a concrete method.

  1. 1

    Get the chords ringing

    Goal: every chord clear, no buzzing

    Get this song's 4 chords ringing one by one and switchable (Em · G · A · D). Press each alone first, then switch in pairs; for any that won't ring, scroll to “Don't know these chords?” below, or use the chord-change timer for a one-minute challenge.

  2. 2

    Play it through in time

    Goal: no stalls with the metronome, start to finish

    Using the “3/4 time: fingerpicking” strum, open the metronome and connect the whole song from a slow tempo, no pausing on the changes.

  3. 3

    Play it with feel

    Goal: dynamics and a sense of breath

    Dorian modal color + 3/4 fingerpicking

  4. 4

    Own it & make it yours

    Goal: explain why it works and change up your own version

    Understand why the harmony goes the way it does, then use the Transpose / Capo control above to change keys, and try reworking the rhythm, adding color chords or improvising — turn “I can play this one” into “I can play many.”

Music theory deep dive

Key: E Dorian

Understanding why a song's harmony moves the way it does matters more than memorizing the chords.

Structure

Main phrase4 bars
Em | A | Em | Em
Expansion4 bars
Em | G | A | Em
Descending close5 bars
G | A | Em | D | Em

Chord function

EmiTonicmodal tonic
AIVSubdominantmajor! the Dorian characteristic (raised 6th, C♯)
G♭IIITonictonic of the relative major, a bright tonic substitute
D♭VIISubdominantflat-7th major triad, a gentle setup

Function: Tonic= the stable home · Subdominant= sets up the departure · Dominant= tension that wants to come home. Harmony is the story of leaving → tension → coming home.

Highlights

  • Modal traitThe major A chord rising out of a minor key: the Dorian signature
    iIVi

    The magic of this tune is all in the A chord. E minor should use Am (minor) as its iv chord, but here it uses A major — which contains a raised sixth degree, C♯, the very note that sets Dorian apart from ordinary minor. Add it and a cold, ethereal, ancient folk flavor shines through the melancholy.

    Tip: Compare it to the site's Dorian vamp (Dm with a major G): the same color formula of “minor + major IV.”

  • Progressioni–♭III–♭VII: minor-key flow without the dominant function
    i♭IIIIV♭VII

    Apart from that characteristic A, it just circles among Em (i), G (♭III), and D (♭VII) — with almost no real dominant chord the whole way. The harmony advances not by “tension–resolution” but by a few color chords sliding in parallel, and this “floating” quality is the shared temperament of Celtic / British traditional folk.

  • Time signature / fingerpicking3/4 arpeggios: stepping from strum-and-sing toward fingerstyle

    3/4 time (oom-pah-pah) with slow arpeggios gives it a swaying, narrative breath. First get the four chords changing smoothly with a simple three-beat arpeggio, then connect the top notes into a melodic line, and you have a respectable little fingerstyle piece — the natural ladder from traditional folk's “strum-and-sing → fingerstyle.”

Don't know these chords? Learn them in the courses

English traditional folk, public domain. The A major chord that appears in this minor key is exactly the characteristic note of the "Dorian mode" (echoing Stage 7's "Intro to Modes"). Simon & Garfunkel's famous arrangement is separately copyrighted; here we only use a simplified chord progression of the traditional melody.