Anhe Bridge (安和桥)
Strumming: Verse fingerpicking (bass note 3 2 3 1 3 2 3), chorus strumming: D · D U · U · D U
Focus: A “walking” accompaniment with a descending bass (G→D/F#→Em, C→G/B→Am) + the sectional contrast of fingerpicked verse vs. strummed chorus
Transpose · Capo
The original key is inferred from the first chord in the chart. Transposing changes the chords you have to play; to keep easy shapes, switch to “Capo” instead.
💡 Too high to sing? Move down. Too low? Move up. Guys often go a few keys below the original, women a bit above — that's just a starting point. You've got it right when you can sing the highest line of the chorus comfortably.
Chords in this song
✦ = harder to play (mostly barre); try a capoChord progression
Play-along
Chords change automatically to the beat (following the current key G). Get it smooth slowly, then speed up.
One bar of count-in first, then the chord changes automatically each bar. Get it smooth slowly, then speed up bit by bit.
Practice ladder · from playing it to playing it well
Not sure how to practice? Follow these four steps — each has a clear goal and a concrete method.
- 1
Get the chords ringing
Goal: every chord clear, no buzzingGet this song's 7 chords ringing one by one and switchable (G · D/F# · Em · D · C · G/B · Am). Press each alone first, then switch in pairs; for any that won't ring, scroll to “Don't know these chords?” below, or use the chord-change timer for a one-minute challenge.
- 2
Play it through in time
Goal: no stalls with the metronome, start to finishUsing the “Verse fingerpicking (bass note 3 2 3 1 3 2 3), chorus strumming: D · D U · U · D U” strum, open the metronome and connect the whole song from a slow tempo, no pausing on the changes.
- 3
Play it with feel
Goal: dynamics and a sense of breathA “walking” accompaniment with a descending bass (G→D/F#→Em, C→G/B→Am) + the sectional contrast of fingerpicked verse vs. strummed chorus。
- 4
Own it & make it yours
Goal: explain why it works and change up your own versionTry analyzing its chord progression, then use the Transpose / Capo control above to change keys, and try reworking the rhythm, adding color chords or improvising — turn “I can play this one” into “I can play many.”
Practice this in the courses
A course uses this very song as a practice piece — follow it step by step, faster than fumbling on your own:
Don't know these chords? Learn them in the courses
Chords only (no lyrics or melody tab); the melody and lyrics are copyright of the original authors. Most common strum-and-sing charts use G-shape positions around capo 2 — put the capo wherever suits your voice. If D/F# and G/B feel too hard, you can just play D and G for now without hurting the overall sound; the third bar of the chorus is often written as Bm in common charts, but here it’s replaced with G/B on the same bass — easier to play and close in feel.